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Posted:
August 14, 2006 8:27 PM
Post #94950
Nikita Kobrin
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Around Nikita's JUKEBOX

Hi folks,

I still think that every cafe should have a jukebox. For that reason I've decided to restore in a slightly different format the Jukebox that some of you perhaps already know:

Nikita's JUKEBOX

I will try to avoid playing banal records on this machine. Under banal I mean music available in every music shop around the world from the USA to China. For example the Music album by Madonna isn't for my Jukebox (sorry, Madonna fans) while music played by Tadeusz Nalepa is just the thing as in most countries this great Polish bluesman is not known and his recordings are not so easy to be found even in Poland. At the same time if I've managed to find something peculiar (say it a CD with Madonna singing Armenian folk songs) I will not hesitate to load the Jukebox with that gem.

I hope that the records you can hear in my Jukebox in MP3 will help you to learn about music from various corners of the world. If you like what you hear, you can later buy that music in first-rate sound quality on CDs or vinyl at record shops or online...

NK



[Edited by Nikita Kobrin on November 24, 2007 6:21 AM]

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Posted:
August 14, 2006 8:29 PM
Post #94951—in reply to #94950
Nikita Kobrin
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Olga Arefieva & Kovcheg

Olga Arefieva & Kovcheg 

Ольга Арефьева  

Janis Joplin remained far behind...

Country: Russia
Genre/Style: Reggae, Blues, Rock, Neo Folk
Web

Olga Arefieva & Kovcheg - Where To Go? Where To Go? from Scherzo-girl
Olga Arefieva & Kovcheg - We'll All Follow Jah  
We'll All Follow Jah from Batakakumba
Olga Arefieva & Kovcheg - Spacesuit Spacesuit from A & B
Olga Arefieva & Kovcheg - Winter's Coming Winter's Coming from Kon-Tiki
Olga Arefieva & Kovcheg - Hey, Little Apple Hey, Little Apple from Krutitsya-vertitsya

Olga Arefieva and Kovcheg take you on an acoustic journey spanning traditional folk songs to reggae-influenced modern acoustic rock. Kovcheg's older songs have a classic, '70s-rock sound with reggae rhythms, expressive lyrics and limited instrumentation (think "The Police", in their early years). The classic rock style was prevalent in Eastern Europe and Russia through the '80s and still is quite popular today. A great asset for an often unplugged band like Kovcheg is that Olga Arefieva is one of those performers who does her best in front of an audience, rather than in a studio. The spirit of the performance has carried across surprisingly well into the digitized format. A diminishing artform in this age of platinum records and stadium concerts, audience playing is still highly popular in Russia and Europe. Olga's vocals are very empathic, conveying every nuance of sadness, joy, or even cynicism or sarcasm. This plus the great choice of expressive supporting instruments make the Kovcheg a truly enjoyable alternative to today's electrified and over-commercialized standard fare. Leonard Cohen would be pleased.

Chris Jones 

 

We have been weaned off the notion that in beautiful melody there can be pride, and dignity, and - by far not always tender - sweetness. In their desperate melodism Olga Arefieva's songs sound like fierce endorsement of the good and the harmony, they bear something from the belief in Messiah's arrival, as if the Egyptian darkness of the Soviet rock has been penetrated by a powerful ray of light. And even rock-n-roll itself acquires a new supreme meaning coming back to its origins. Not the formal rhythm-and-blues origins, but the origins of the human soul. It's hard to find an analogy for this music. It doesn't exist even there where this music directly relates to - in the folk-rock, which is an indisputable virtue in our time of imitators.

A. Korshun

NK



[Edited by Nikita Kobrin on July 31, 2007 4:06 AM]

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Posted:
August 15, 2006 10:40 AM
Post #95003—in reply to #94950
Nikita Kobrin
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Sort of Technical Stuff: How to play records in the Jukebox

Sort of Technical Stuff:
How to play records in the Jukebox

If you click Kolumbus Kris - If You Don't Like ... icon in posts you will get to another page where it's possible to listen to a record online:

Listen to a sample track

Please note that previews are made with substantially reduced bit rate and thus the sound quality is far from Hi-Fi level but still enough to grab the general feeling of the music and artist.

The MP3 file isn't downloadable.

NK



[Edited by Nikita Kobrin on April 7, 2007 2:53 AM]

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Posted:
August 18, 2006 2:58 AM
Post #95269—in reply to #94950
Nikita Kobrin
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The Swingle Singers - Anyone for Bach, Mozart, Handel, Vivaldi?

The Swingle Singers - Anyone for Bach, Mozart, Handel, Vivaldi?

The Swingle Singers - Anyone for Bach, Mozart, Handel, Vivaldi?

And anyone for scat? I adore this kind of ad lib singing and The Swingle Singers are definitely among my favourites.

A French vocal group famed for tackling all manner of classical material (baroque, fugues, madrigals, orchestral overtures) and switching them to an a cappella swing setting, the Swingle Singers was formed in Paris during the early '60s by American expatriate Ward Swingle. By the time of their 1963 album debut, the group comprised eight voices — Swingle, Christiane Legrand (sister of Michel), Jean-Claude Briodin, Anne Germain, Claude Germaine, Jean Cussac, Claudine Meunier and Jeanette Baucomont. That album, Jazz Sebastian Bach (titled Bach's Greatest Hits in America), earned the group a Grammy award and almost made the Top Ten.

Country: France, now UK
Genre/Style: Jazz, Scat, Classical
Release Year: 1986
he Swingle Singers - Fugue from Sonata no. 37 by W. A. Mozart  Fugue from Sonata no. 37 by W. A. Mozart
 

The novelty inherent in an eight-voice scatting choir resulted in dozens of television and radio appearances around the world during the mid-'60s. Somehow the group also managed to record follow-up LPs Going Baroque in 1964 and Anyone for Mozart? one year later. Both were Grammy winners as well — though Best Performance by a Chorus definitely wasn't the most competitive category at the awards ceremony. In an era when vocal choruses increasingly slipped down the easy-listening slope however, the Swingle Singers moved in precisely the opposite direction. In 1969, a subsidiary group called Swingles II premiered Sinfonia, a composition by the avant-garde composer Lucianio Berio that also utilized the New York Philharmonic.

After a move to England in 1973, Ward Swingle recruited a new Swingle Singers and changed musical direction, incorporating material from the avant-garde as well as the Renaissance era and jazz. Swingle himself retired from active performance in 1984, but continued on as music director. The group continued to tour the world into the '90s, performing operas by Azio Corghi and Berio, appearing in compositions with ballet companies, and holding various classes and workshops as well.

John Bush

This 16-track, 63-minute CD is compiled from the best material off of the Swingle Singers' classic mid-'60s LPs. The sound is excellent (and offers a serious edge over the original LPs which, unlike later Philips classical releases, were pressed in America and were usually fairly noisy), and the repertory is chosen perfectly.

Bruce Eder

Track Listing:
01 - SONATA NO. 15 - (W. A. Mozart)
02 - AH! VOUS DIRAIS-JE MAMAN - (W. A. Mozart)
03 - ALLEGRO (from Sonata no. 14) - (W. A. Mozart)
04 - FUGUE (from Sonata no. 37) - (W. A. Mozart)
05 - EINE KLEINE NACHTMUSIK - (W. A Mozart)
06 - BADINERIE (from the Suite in B minor) - (J. S. Bach)
07 - AIR (from the Harpsichord Suite in E major) - (G. F. Handel)
08 - GIGUE (from the Cello Suite in C major) - (J. S. Bach)
09 - LARGO (from the Harpsichord Concerto in F minor) - (J. S. Bach)
10 - PRELUDE NO. 19 (from the Well-Tempered Clavier, 1st book) - (J. S. Bach)
11 - PREAMBULE (from the Partita no. 5 in G major) - (J. S. Bach)
12 - FUGUE (from the Estro Harmonico, op. 3, no. 11) - (A. Vivaldi)
13 - PRELUDE NO. 7 (from the Well-Tempered Clavier, 2nd book) - (J. S. Bach)
14 - SOLFEGGIETTO - (Ph. E. Bach)
15 - DER FRUHLING - (W. F. Bach)
16 - PRELUDE NO. 24 (from the Well-Tempered Clavier, 2nd book) - (J. S. Bach)

NK



[Edited by Nikita Kobrin on April 7, 2007 3:05 AM]

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Posted:
August 23, 2006 6:21 AM
Post #95911—in reply to #94950
Nikita Kobrin
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RE: Nikita's Jukebox

JAM Music Journal presents

Kolumbus Kris - If You Don't Like...

Kolumbus Kris - If You Don't Like...

If you are into Texas Boogie and hard juicy Blues Rock this CD is for you!

Country: Estonia
Genre/Style: Blues Rock
Release Year: 1994
Kolumbus Kris - If You Don't Like ... If You Don't Like ...

Kolumbus Kris is a little-known outfit from Estonia but in my opinion it's one of the best - if not the best - Blues Rock band in the territory of the former USSR...

Track Listing:

01. Soft Legs
02. Cruising Around
03. If You Don't Like ...
04. Payday
05. Telephone Blues
06. Cigarettes And Liquor
07. Easy
08. Long Way From Home
09. Night-time
10. Blue Monday Blues
11. Beer Drinking Boys
12. Good Lookin' Baby
13. Burn The Breeze
14. Mojo

Entering the frills-free sound world conjured up by Estonian band Kolumbus Kris means stepping into a Boogie-Party Land. Southern Boogie Kings they once called an album of theirs. And they have, more than once actually, strutted their stuff on that side of the Big Pond where all their musical inspiration comes from. Honest and workaholic house-rockers, this lot.

NK



[Edited by Nikita Kobrin on July 31, 2007 4:14 AM]

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Posted:
September 2, 2006 4:37 AM
Post #96849—in reply to #94950
Nikita Kobrin
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Omega - Omega 6: Nem tudom a neved

JAM Music Journal presents 

The most successful Hungarian rock band in history.

Omega - Gyongyhaju lany from 10000 lepes (1969)

Country: Hungary
Genre/Style: Psychedelic/Prog/Space Rock
WEB

Omega - Nem tudom a neved Nem tudom a neved from Omega 6: Nem tudom a neved (1975)

NK



[Edited by Nikita Kobrin on December 22, 2008 10:09 AM]

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Posted:
September 2, 2006 1:22 PM
Post #96889—in reply to #96849
Evelyn Villalobos
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RE: Omega - Omega 6: Nem tudom a neved

Nikita:

Thanks for such a wonderful Forum. My thirteen yrs old daughter is thrilled with ALL the music that she is able to access thanks to you. Some she truly enjoys, others not as much but she is mature enough to appreciate the differences and open herself to the world. And we do it together in the process.

This is a breath of fresh air in such a confusing world (and forum lately!)

Mil gracias, Evelyn

 

 


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Posted:
September 3, 2006 5:31 AM
Post #96920—in reply to #94950
Nikita Kobrin
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RE: Nikita's Jukebox

Hi Evelyn,

I'm happy you both like the Jukebox. And what albums do you like best from those that have been posted so far?


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Posted:
September 3, 2006 8:28 AM
Post #96927—in reply to #94950
Liz Mitchell
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RE: Nikita's Jukebox

Nice to see the Jukebox back in full swing, Nikita. I had listened to Kris Kolumbus before, thanks to you, and find his music right up my alley My favourite so far.

 I can see why Olga Ariefa is compared to Janis Joplin and beyond!!! Love it. The Swingle Singers are so easy to listen to. Omega 6 is so beautifully Hungarian with the accordion wooing us. Thanks and keep them coming.

Liz

 


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Posted:
September 3, 2006 8:06 PM
Post #96962—in reply to #96920
Evelyn Villalobos
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RE: Nikita's Jukebox

Hum, tough! I'll say Olga, Kris, Omega in that order. She has a good laugh with the Swingle Singers just because its "old people music" but she loves Elvis and anything jazz/blues/early rock besides her father's mexican music from the 50's and the mariachis. We might not understand the lyrics but music is universal.

She asks is you can please offer her some French music, similar to these....she will love to share them with her French class.

Once again, Gracias, Evelyn

 


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